Opera Quarterly

Journal Title：Opera Quarterly

Since its inception in 1983, The Opera Quarterly has earned the enthusiastic praise of opera lovers and scholars alike. In 2005, David J. Levin, a dramaturg at various opera houses and critical theorist at the University of Chicago, reconceived the journal with the goal of extending its reputation as a rigorous and cutting-edge forum for all aspects of opera and operatic production. Today, The Opera Quarterly sits squarely at the intersection of performance, theory, and history. Fundamentally interdisciplinary, it addresses both historical and contemporary developments on the stage and in the academy, embracing opera as well as considerations of voice and musical theater more broadly.

自1983年创刊以来，《歌剧季刊》赢得了歌剧爱好者和学者的热烈赞誉。2005年，芝加哥大学批判理论家、多家歌剧院的戏剧大师David J.Levin对该杂志进行了重新构想，旨在扩大其作为歌剧和歌剧制作各个方面的严谨和前沿论坛的声誉。如今《歌剧季刊》正处于表演、理论和历史的交汇点。基本上是跨学科的，它解决了舞台和学院的历史和当代发展，更广泛地涵盖了歌剧以及声乐和音乐剧的考虑。

Opera Quarterly由Oxford University Press出版商出版，收稿方向涵盖MUSIC全领域，在行业领域中学术影响力很大，属于TOP期刊，国际一流期刊，关注度和专业度非常高，所以对原创文章要求创新性很高，过审难度很高，如果您有志于TOP期刊，建议关注此刊。平均审稿速度 ，影响因子指数0.5，该期刊近期没有被列入国际期刊预警名单，广大学者值得一试。